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Paris, 1935: a pulsating metropolis at the centre of Europe. The city has become a place of exile for thousands who had to leave Germany after the National Socialists seized power in 1933.

In order to counteract the total loss of inhibitions on the internet, an agency has taken on the task of investigating particularly suspect cases and examining the increasingly blurred lines between the virtual and the real.

Bruscon, self-appointed actor of national merit, is touring the provinces with the aim of convincing even the most remote corners of the world of this: Theatre is everything, everything is theatre. But he finds hostility towards art everywhere.

Taking Bertolt Brecht's didactic play Der Jasager und Der Neinsager (1930) as his starting point, Alexander Eisenach responds with a musical counterpart about "die Vielleichtsager" that are mirrored in our increasingly incomprehensible an

Marie, a prominent architect expecting her first child, wants to realise her vision of country life with urban aspirations in Berlin’s hinterland.

Bored and beyond any prospects of a well-ordered life, Alex and his Drooges roam around London’s suburbs, leaving a trail of devastation behind.

This first drama by the Russian author and playwright Anton Chekhov (1860 – 1904) is set in a pleasure-seeking society.

The war in Ukraine cannot be reduced to explosions, shelling and the names of the dead. On both sides of the front lives of (extra)ordinary people have been brought together by the broken roads of Donbas.