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What the latest play by Nobel-Prize winner Peter Handke is about cannot be reduced to a short, snappy formula. In a kind of poetic journey of exploration, a poet traverses the world and it traverses him.

Let's be honest: Are you really happy? With your marriage? Your lovers? The people you spend your life with, day in and day out? And if not: would you admit it?

Two friends in their late forties, Ralle and Hannes, are waiting at a bus stop somewhere in Brandenburg – as they wait, they philosophise about life and the issues affecting our society.

Invisible, burnt-out, discarded: an artist struggles between living off social welfare, shifts at the check-out and fears about whether she can survive. Stocking the shelves in the morning, then the check-out – there's no time left for art.

Shakespeare's most famous play is a family drama, revenge tragedy with gothic elements and a psychological study in one.

Suzie Miller's family and legal drama "Inter Alia" asks a lot of uncomfortable questions about the patriarchal structures that still shape our family and sexual relationships today.

Chekhov's gun is still hanging there? Vanya pulled the trigger long ago. In "Vanya Verrückt" (Vanya Gone Crazy), an uncompromising monologue, a millennial dissects both himself and Europe in crisis mode: hopeless, fractured, overwhelmed.