Der reguläre Vorverkauf für den Mai bis einschließlich den 9. Juni läuft! Unsere Theaterkasse hat montags bis samstags von 10.00 Uhr bis 18.30 Uhr für Sie geöffnet.
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Die 90-minütigen EINBLICKE: Workshops laden Sie ein mitzumachen! Hier erforschen Sie gemeinsam mit einer Theaterpädagogin des Berliner Ensembles inhaltliche Fragen genauso wie ästhetische Formen und analysieren Figuren des Stücks.
Hosted by Heiki Riipinen and Ariel Efraim Ashbel, this evening at Berliner Ensemble considers how social connections are organised around light and darkness.
Die 90-minütigen EINBLICKE: Workshops laden Sie ein mitzumachen! Hier erforschen Sie gemeinsam mit einer Theaterpädagogin des Berliner Ensembles inhaltliche Fragen genauso wie ästhetische Formen und analysieren Figuren des Stücks.
Willy Loman is a self-made man! Some decades ago now, he was one of the hardest working men in his field. He was successful. Unfortunately, business has fallen off and while the bills are piling up, the times are changing – and only Willy won't.
Pinneberg and Lämmchen are young parents who cling to their love and their faith in civic morality – despite their poverty, unemployment and social hardships. Their struggle for a last shred of dignity ends in the Moloch of Berlin.
It is the night before the opening. The dress rehearsal of "Noises Off" is in full swing. Nothing works; the actors don't know their lines and the plates of sardines are always in the wrong place.
"I'm not like other women", is what a pick-me-girl would typically say. And it is a thought that most women have probably had at some point.
"How are things with Paul?" Marie asks. "Fine", says Karin. But that isn't true. Paul has disappeared. Wickwalz calls it "Fleeing from the Republic" and he happens to drop by more frequently now. He is nice and he asks Karin about things.