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Paris, 1935: a pulsating metropolis at the centre of Europe. The city has become a place of exile for thousands who had to leave Germany after the National Socialists seized power in 1933.

In order to counteract the total loss of inhibitions on the internet, an agency has taken on the task of investigating particularly suspect cases and examining the increasingly blurred lines between the virtual and the real.

Bruscon, self-appointed actor of national merit, is touring the provinces with the aim of convincing even the most remote corners of the world of this: Theatre is everything, everything is theatre. But he finds hostility towards art everywhere.

Taking Bertolt Brecht's didactic play Der Jasager und Der Neinsager (1930) as his starting point, Alexander Eisenach responds with a musical counterpart about "die Vielleichtsager" that are mirrored in our increasingly incomprehensible an

Marie, a prominent architect expecting her first child, wants to realise her vision of country life with urban aspirations in Berlin’s hinterland.

Bored and beyond any prospects of a well-ordered life, Alex and his Drooges roam around London’s suburbs, leaving a trail of devastation behind.

Gregor Hildebrandt (born 1974 in Bad Homburg, DE) lives and works in Berlin, DE. Hildebrandt holds the professorship in painting at the Academy of Fine Arts in Munich,DE.

Viele Fluchtrouten durch den Vorderen Orient und Afrika haben Deutschland zum Ziel.