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The writer as popstar – Benjamin von Stuckrad-Barre was and is the role model of a new type of author, someone who makes conscious decisions about the devices he uses to communicate with the public.

Wir laden zu einer gepflegten Partie Boccia, einem Glas Wein und zum spielerischen Diskurs über die öffentlichen Räume und Plätze in Berlin ein. Wir befragen bei einer ruhigen Kugel Berlin als Stadt der Plätze.

Auch im Juni erhalten Sie wieder verschiedene Einblicke in unsere Inszenierungen und unser Theater. Der Technische Direktor des Berliner Ensembles Stephan Besson nimmt Sie bei "Einblicke: Bühne" mit ins Bühnenbild von "Endstation Sehnsucht".

"Auf der Straße" looks at the issue of homelessness in Berlin. What happens to a person who loses their home and thus their shelter? To what extent does the loss of housing signify a loss of subsistence?

If the ancient theatre was able to create complex and independent female characters two and a half thousand years ago – what has gone wrong between then and now?

This feminist double project explores images of present-day femininity, emancipation and female self-assertion.

In Die Verdammten, Visconti wanted to create a modern-day Macbeth. What emerged was the disturbing analysis of a corrupted industrialist family that tied its destiny inseparably to the success of their company and to politics.

Following the flood of cruel dictators brought forth by the 20th century, Macbeth joins Hamlet in the array of archetypal characters. His will to power is spurred on to the point where he has reached a position he can no longer fill.